Sunday, October 10, 2010

Posted by at 55 comments:

Wednesday, October 06, 2010

lost/wanted love

Posted by at 4 comments:

Monday, August 30, 2010

My big Monsta on Guizados Concert!!

Posted by at 10 comments:

Wednesday, April 14, 2010

ILUMINACION

Posted by at 4 comments:

LIBERTAD PERDIDA


50X50cm
scratch on plexyglass
Posted by at 2 comments:

Thursday, December 03, 2009

EVEN DEVILS LOVES GIRLS AND ORAL SEX

Posted by at 44 comments:

Monday, August 10, 2009

Posted by at 2 comments:
Posted by at 1 comment:
Posted by at No comments:
Posted by at 2 comments:
Posted by at 1 comment:

Wednesday, June 10, 2009

MAMA_QUILLA




The Incas had a myth concerning lunar eclipses that is fairly common among ancient peoples. In these stories the Moon is always attacked by some force or creature that manages to swallow the darn thing, only to be defeated in the end by some big-shot hero. For the Incas, this creature was the snake or puma, and the Moon itself was a goddess known as Mama Quilla. Analogous to her solar husband Inti, Mama Quilla was portrayed as a silver disk with a human face. She ruled over calendars and the measurement of time, and kept protective watch over married women.
Posted by at 236 comments:
Subscribe to: Posts (Atom)

About Me

Sao Paulo, Madrid, Brazil
Fefe Talavera’s monster paintings are metaphors for strong and subconscious human emotions like anger, fear, dreams or desire. The colourful fantastic beasts which she connects with the “dark side” of her inner self stand for the artist’s cultural roots as well as the primary and powerful energy of her work in the streets all over the world. Born in 1979 Fefe was brought up as a native half Mexican, half Brazilian in São Paulo where she lives until today besides her second home in Madrid, Spain. Interested in all kind of “underground” movements, the typical and unique stylistic freedom of the internationally renowned Street Art and Graffiti scene of her hometown made an important impression on the artist. Her raw creative energy thus found much more correspondence in the angled, tribal-like style she developed while working in the streets, than in her studies in fine arts which she finished with a Bachelor at the FAAP in São Paulo. Showing at galleries and accepting certain rules, limits and intolerances of the art market system represent a contradiction for Fefe who is mainly interested in finding public ways to express herself and a common way of communication.